Social media marketing: Where to start

Most business owners rightly feel they have better things to do than play around with social media.

At the same time, it’s not an exaggeration to say social media has revolutionized marketing. It allows any business to engage in “content marketing” – essentially developing its own audience at little or no cost, and engaging with them to drive interest in sales. To ignore this is to ignore the behavior of your customers and prospects.

But with so many social media outlets, it’s often hard to know where to get started or what to do next.

Every social media site has its own peculiarities and best practices. Learning the nuances of each, takes a certain amount of time and commitment. So I recommend getting involved in one platform at a time. Start with Facebook, for instance, and work it until you’re comfortable about how it adds value. Only then should you look to add another platform.

At the same time, understand that social media outlets are like ingredients in a sandwich. A piece of ham tastes good, but it’s not lunch until you put it between slices of bread and add tomato, cheese and mustard. With social media, you may need to layer 3 or 4 different sites before you have a program that actually drives revenue to your business.

As an example, most of my social media clients combined Facebook and Twitter – and in some cases a third relevant site – before they gained traction at building audience.

Here is a basic overview of the major social media outlets and what each one brings to your marketing. All are trying to find services you’ll pay for, but they can still be used effectively for free.

Facebook

What it’s for: The foundation of any social media marketing – particularly if your products/services are targeted to a consumer audience. Use it to aggregate an audience of people who are interested in what you sell or do.

Strengths: A billion users. Easy and low-cost advertising. Integrates with many other prominent social media outlets (i.e., when you post on Twitter, for example, it’s easy to have the Tweet automatically post to Facebook as well). Finally, the best adoption in mobile computing – allowing you to easily capitalize on the astoundingly fast migration to mobile devices.

Weaknesses: Constantly changing. Noisy, commercial and often unpleasant to use. Takes commitment to feed it with content.

Nuance: Don’t use your personal page for business. Set up a business page; you’ll look more professional and once you have 30 “likes” it provides you with valuable data to improve your marketing – still for free.

LinkedIn

What it’s for: Social media networking specifically for business. If your products/services are targeted to a business audience, start here instead of Facebook.

Strengths: Many ways to find and engage relevant audience.

Weaknesses: Doesn’t integrate well with other social media. It’s also become so rich with features that it is becoming difficult to use. Further, some of the best features are now reserved for paid users.

Nuance: Despite the negatives, it’s still the largest and most robust business-to-business networking tool available. You’ll want both a personal page and a business page.

Twitter

What it’s for: Broadcasting headlines. Use it to let people know you have new content to share – whether it’s on Facebook, LinkedIn, your own website or anywhere else.

Strengths: The accepted standard for deploying brief messages. Also strong on mobile platforms.

Weaknesses: Low signal-to-noise ratio. You need a lot of followers here to count on your messages being seen.

Nuance: Because Tweets are so brief, you’ll want to shorten any website links that you broadcast with a free utility like tinyurl.com, bitly.com or goo.gl. Also, the fastest way to gain an audience is to automatically follow anyone who follows you. There are a number of tools that help with this, such as TwitterAutoFollowback  (rolls right off the tongue, doesn’t it?) or Twollow.

YouTube

What it’s for: Everything video. If you’re going to use video, then you want to use YouTube. Even if a video is posted on your website, you should put a copy of it on YouTube as well for the visibility in search.

Strengths: The accepted standard for all things video.

Weaknesses: It’s not much good for anything else.

Nuance: If you’re going to post multiple videos, create a channel for your business and promote it on your website, other social media sites and in your marketing materials.

Slideshare

What it’s for: Posting presentations of all kinds. It’s owned by LinkedIn and integrates well with it.

Strengths: Easy to use and well-known in business-to-business environmenbts.

Weaknesses: Doesn’t integrate well with sites other than LinkedIn.

Nuance: Load it up with whatever presentations you have – technical materials, sales presentations, workshops and anything else you do. It’s surprising how much time people spend browsing through presentations once they’ve found the one they’re looking for.  Also, upload presentations as PDFs to assure broadest accessibility to your information.

Google+

What it’s for: Even social media experts will tell you that they don’t really know what Google+ is best at. It’s intended as Google’s answer to Facebook. It is often appreciated for being less commercial and crowded than Facebook, but if you’re beginning a social media program, that can be a disadvantage. Facebook may be noisy, but it has tools designed to make marketing easy. Success on Google+ demands more sophistication in social media marketing.

Strengths: Google’s most powerful attribute is search, and the promise is that anything you post using Google+ will be easier to find on the world’s best-used search engine.

Weaknesses: No sense of place. Facebook is a destination. Google+ is a concept.

Pinterest

What it’s for: Creating online bulletin boards filled with images. If your product or service is visually oriented, use Pinterest to create relevant collections of photos and show them to your audience.

Strengths: Easy to use and integrates well with other sites. So you can feed content to Pinterest and have it automatically post to Facebook and Twitter.

Weaknesses: Typically viewed as a site for women, though that reputation is fading.

Nuance: Pinterest is a social platform in itself, and it wants you to gather followers. But you can use it to organize and display photos while focusing your “audience development” efforts on Facebook and Twitter.

Instagram

What it’s for: Very much like Pinterest. But it originated as a photo-enhancement app for smart phones and it maintains that heritage today. While Pinterest is about organizing collections of images, Instagram is more about taking, dressing up and sharing photos (and now, short videos).

Strengths: Integrates with other social media.

Weaknesses: How many different ways do you really need to take a picture or video?

Foursquare

What it’s for: Geographic social media; people check in to places they visit. By encouraging people to check in, you create visibility on the Foursquare network.

Strengths: Creates attention to storefront businesses that rely on heavy traffic.

Weaknesses: Not much buzz about it these days.

There are plenty more social media platforms, but if you’re not already deep into social media, don’t go beyond what’s contained here. Pick an appropriate place to start and then get comfortable using it.

Social media doesn’t have to take over your life, but if you want people to know about your business, it should be at least a regular part of it.

 

The economics behind the media meltdown

What really happened that caused traditional media to shrink so much over the past decade – and why are so many still struggling to come back?
That’s the subject of this presentation, which I’ve given several times over the past few years.

 

Why the media meltdown from Bob Rosenbaum

Names make news (2.0)

reading paper_graur razvan ionut_freedigitalphotosTwo years out of college, as a young reporter for a business weekly in Upstate New York, I met the crusty old publisher of the Pacific Business News – a business journal in Honolulu. I didn’t like him much. I was idealistic and ready to change the world. I was living in the snow belt and learning how businesses work. I was reporting on Michael Milken (a Master of the Universe, the junk-bond king, deal-maker supreme) and leveraged buyouts. I was writing about how empires were made, how old cities were rebuilt, how capitalism made the world turn.

This old guy, meanwhile, was living in paradise and frustratingly pragmatic. Standing before a room full of wide-eyed people like me, he was asked to dispense some advice to us young guns. After something like 50 years in business, you know what he came up with?
“Names make news,” he said. That was it.
To look at his newspaper was to understand how this pedestrian philosophy played out in the real world. While it has been updated over the past 25 years to get ahead of changing times, the product I saw that day was gray and cheap. Articles were short, reading as if written by flacks and hacks. Every person’s name that was mentioned – there were a lot of them – was bold-faced. Some articles seemed concocted for the specific purpose of highlighting a large roster of names.
I was unimpressed. I promptly forgot that old publisher’s name and promised myself I’d forget his tired old advice too.
What I discounted was his experience. He’d been running the same publication for something like 50 years. It’s possible, I now realize, he had learned and discarded many other truths along the way – distilling his success into one rule of thumb that fostered success for his product in his market at his time.
Names make news.
I never did manage to forget that advice. While it’s not the only rule I’ve lived by over the years, I’ve had many occasions to apply it, and it has never failed me.
It came back in a rush this morning when Seth Godin’s most recent blog post came through my e-mail. Seth is a marketing guru; he dispenses more good advice in a week than many of us dispense in a lifetime.
Seth’s advice on the subject doesn’t come across like that of a crusty old publisher marking time in Hawaii. It’s contemporary, directed at social media marketers, online journalists, bloggers – would-be masters of the new digital universe.
But it’s equally concise and to the point. When people look at photo albums, he says, they go directly to pictures of themselves.
He writes:
Knowing that, the question is: how often are you featuring the photo, name, needs or wants of your customers where everyone (or at least the person you’re catering to) can see them?
So listen up Internet 2.0ers. Your self-indulgent rants, your complex business models, your highly-designed user experiences are all well and good. But as media change, some things don’t. Names make news. They always have and they always will.

Image courtesy of graur razvan ionut; FreeDigitalPhotos.net

Sales of digital content improve thanks to some new tools

As digital readers improve the online reading experience, people seem to be getting more comfortable with the idea of paying for online content. With that progress, what publishers need now is an effective and easy way to accept payment for content – whether they want to offer content on a metered, per-use or subscription basis.

Amazon’s Kindle Fire has, perhaps broken a barrier with the easiest access to online magazine subscriptions I’ve seen. That’s the strength of the Fire: it’s an incredibly effective portal for buying content – and, frankly, anything else Amazon has to offer. The Fire’s downsides are:

Size: The 7-inch screen is simply too small for enjoyable magazine or newspaper reading. Even the magnification feature doesn’t go far enough, and it intereferes with smooth nagivation on the page and from one page to the next.

Weight: Holding the fire is a little bit like holding a flat, shiny, somewhat sexy brick. It’s a load – though it might provide interesting synergy with a bodybuilding magazine.

More-than-occasional glitchiness: The touch-screen doesn’t always respond well; sometimes it seems too sensitive and others not sensitive enough. For magazine and newspaper viewing, that makes page scrolls and page turns an unpleasant guessing game.

Limited media offerings: All of the other issues will likely be mitigated in subsequent versions of the Fire. But where Amazon’s strength has always been the scope of available content, periodical choices seem limited. Perhaps I’m wrong on that; perhaps the available choice reflect the current  range of publications that have dedicated themselves to the future of digital content consumption. But if Amazon wants to emerge as the leading content delivery platform, than it’s going to need to move away from teh curated approach that it takes with apps and seems to be taking with periodicals.

So what other options do magazine publishers have if they don’t want to be limited by (or captive to) Amazon’s subscription model?

Here’s an interesting new approach: TinyPass.com is a startup paywall service that offers the kind of flexibility publishers need. Payment can be accepted through any means – from PayPal to Amazon to Google Wallet to a dedicated merchant account. And content can be delivered in any distribution model: paywall, metered, pay-per-use, etc. According to PaidContent, it even accommodates varied content models – such as the ability to split revenue with contributors.

TinyPass is a young copy and I’ve not done enough due diligence to predict its success. But it certainly represents the kind of flexibile functionality that the publishing world needs if its growth curve for selling digital content is going to continue.

The time has passed for revenue-enhancing digital products

A small B2B media company contacted me to talk about enhancing revenue by adding some new digital products to its portfolio. The company already offers a digital edition, business directory, email newsletters, web-seminars and a number of other digital B2B staples. Non-monetized but just as important, it has a reasonable Twitter following, a large group on LinkedIn and a Facebook page that is basically just a placeholder.

I’m sure there are more products the company could implement. It doesn’t have any mobile offerings to speak of, and its website represents first-generation internet thinking – a source of information but not of engagement and interaction. With a little bit of study and a few billable hours I could have made some recommendations.

Here’s what I told them instead: The opportunity to increase revenue by adding digital products has largely passed, and simply adding new products will probably hurt the business by:

  • spreading the editorial staff even thinner;
  • raising digital development costs;
  • over-running the sales force’s competence;
  • stressing customers, who don’t have more money to spend on new products and will be forced to decide which products to support and which to ignore.

In essence, trying to invigorate the company by adding more digital products is just going to lead to more fatigue for everyone – and at best provide only incremental revenue gains.

The real opportunity – and the only real option – is to use digital tools to increase the organization’s footprint and prominence.

Here’s the argument:

In B2B media, ad revenue and unit yields have been stagnant for a decade, and there is no reason to think that’s going to change for the better. As hard costs continue to rise, print circulations have been on a forced retreat. Publications that have maintained controlled circulation levels are doing so by cutting in other areas or – more likely – by winning market share and profits from other, lesser competitors. Neither is sustainable.

Given that it’s not economical to add print readers, the real value of a digital strategy is to present the brand to new people – either by expanding outside the magazine’s traditional market (taking a step upstream, toward the advertisers’ suppliers, for example) or its traditional geography (i.e. international).

That doesn’t mean simply launching a digital or iPad edition. These are passive – cool media in Marshall McLuhan’s lexicon.

But extended audiences demand hot media. They need to be actively engaged; they need learn for themselves how a media brand is valuable to them. Engagement at that level means creating a different kind of relationship based on interaction with community, expansiveness of content, and flexibility in the way content is applied. These are the strengths of digital tools – when those tools are skillfully and strategically applied.

In the real world, it probably means a pretty significant website overhaul and, more significantly, redeployment of staff and restructuring of sales compensation.

Editors have to stop thinking in terms transferring knowledge from experts to the readers – instead becoming moment-to-moment conduits for peer-to-peer communication. Less like network news anchors and more like a highly specialized cruise directors.

Sales strategy has to evolve too. It’s less about products and more about platform – how the media brand provides a fluid and organic conduit between the advertiser and the market.

These are not small changes to make, and this is not a short-term project. But it represents the difference between relevance, growth and prosperity on one hand; and retreat into a niche position or extinction on the other.

Advertisers will always go where the people are

Alan Mutter, who calls himself the Newsosaur and whose opinions on the news business I deeply respect, points out that newspapers are now well into their sixth year of declines in advertising demand. In a recent blog post, he noted that annual newspaper sales hit $10.7 billion in 2006 – and now stand at $4.3 billion, about the same level as 1983. And they continue to drop.

While the drop in advertising isn’t new for newspapers, it hasn’t always been their No. 1 problem. Credit for that goes to the systemic and ongoing declines in circulation. Newspapers are simply less relevant across society than they once were.

But the dynamic behind shrinking advertising is different; it’s more like the experience of magazines – especially business-to-business – over the past decade.

I’ve written about the reasons behind the loss of advertising for magazines, and I’m not alone. The issue isn’t that advertising has ceased to work; I don’t believe that’s the case now, nor do I foresee the day when it is.

The issue is that other things now work better. And by other things, I really mean one other thing: social media.

First, more people are involved in social media than in any other media channel. If you lump together YouTube, Facebook, LinkedIn, Slideshare and the thousands of other social media websites, day-to-day participation is as broad as any other media channel.

Further, in most cases participation is free – even for the marketers, at the most basic level.

Further still, results are always measurable.

The equation is really simple: Marketers who are pulling back on their traditional advertising are merely following the lead of other marketers. And those who are not actively involved in social media are negligent. Marketers need to be where the people are, so they simply aren’t going to ignore a media channel that has so quickly attracted a large percentage of the world’s population.

I could predict that advertising revenues are going to continue their decline for newspapers, because consumer advertisers are now discovering what business-to-business advertisers learned several years ago: With social media, you can  (and should) become your own publisher – developing an audience and serving it with meaningful, interesting and helpful content.

That doesn’t mean newspapers, magazines or any other type of print media are doomed. But newspapers of the future will be very different than they were just six years ago. The sooner they figure out how to unhitch their fortunes from advertising, the better off they’ll be.

The Rules of Social Media Content

Rule #1:
They don’t care how much you know until they know how much you care.
(Attributed to many sources including Theodore Roosevelt and Martin Luther King Jr.)

Rule #2:
It’s not about what you say; it’s about what they hear.

Rule #3:
Fast. Short. Meaningful.

Rule #4:
An incomplete solution now is better than a complete solution later.

Rule #5:
Instead of giving a lecture, tell a story.

Rule #6:
You can’t educate ’em if you don’t entertain ’em first.

Rule #7:
You can keep your audience busy with quotes and retweets. But to build an audience, you need to be original.

Rule #8:
Of course you’re there to sell. But your audience isn’t necessarily there to buy. Remember it and respect it.

Rule #9:
One sales pitch for every 20 pieces of non-selling content. Maximum. And that’s if your content is really good.

Rule #10:
More like H.L Mencken. Less like Billy Mays.

Rule #11:
You’re not a guru until OTHER people call you a guru; so don’t even bother trying to prime that pump.

Rule #12
Write like you talk, and talk well.

(More to come, or suggest your own)

Content: made simple

In a longer interview on consumer media by iMediaConnection.com, Professor Henry Jenkins from USC’s Annenberg School for Communications & Journalism offers this breathtakingly simple explanation of the role of content – and a fair warning to those who would exploit it with hands of ham:

“… In a world with many media choices, consumers are actively selecting what content is meaningful to them and circulating it consciously to people they think may be interested. They are deploying media content as gifts for their personal networks, as resources for ongoing conversations. Until marketers understand [this], they are doomed to insult and alienate the very people they are hoping to attract.”

How big is mobile computing? Really big.

Mary Meeker of Morgan Stanley made the following presentation at a recent meeting of technology wizards and gurus. (Notably she got the name of the event wrong; it’s the CN Summit.)

There’s a breadth of information here, ranging from adoption of mobile technologies to the potential for mobile advertising to the investment outlook for companies in the business.

The big takeaway for me is how it underscores the increasingly reasonable-sounding claims that mobile computing will change how we think about computing; and, no less, how important it is for media companies of all sizes to recapture their audiences on the small screen.